works on acrylic glass



Renz’s lines accordingly reveal no irregularities that can be read as the artist’s own affective sensations about her quite ambivalent world of motifs.
This is all the more surprising since the motifs chosen by the artistprovide all the more reason for excitement: In a network of visual elements, overwhelming in its plenitude, naked figures mix with representations of animals and skeletons, luxuriant floral and ornamental patterns, geometrical constructions and text to form absurd and in part horrifying figurations.